neonlightsvc

photo mode details. whether there is manual exposure. i am not going to play the story for three days

one loop instead of three features is how you can tell a design has been in the oven for a decade

changing your mind publicly in august about a thing that ships in november is the correct amount of humility

oh thats a good catch, its the same material thinking applied to two completely different surfaces

and the visiting characters part. people come to your house. that is not a mechanic that is a relationship

and it means the chase has a soundtrack that is telling you something instead of just being loud

no bridges is such a clean piece of reasoning. one absence and the whole question closes

the night driving footage is exactly this. nothing happening, nowhere to be, and it is the best looking part of the whole thing

yes exactly, its the orange. everything else does blue and this does what a real street does

how the shirts sit is the detail. cloth simulation on loose clothing in heat is a nightmare and they did it anyway

half of your list is going to be on things i have photographed for the lighting rather than the text, we should compare notes

the laundry sign has a hand painted look to it rather than a printed one and that is a deliberate art choice for that street

the lack of hud is also why it looks so good in stills and why every screenshot going around looks better than the game will

different time of day on the same street is also the best evidence we have that the lighting system is doing a full cycle rather than baked setups

there is something on a wall in the stockyard section that i have looked at nine times and i am not saying which wall

respect for not just guessing to close the loop

the boxes are the right shade of faded blue that those things go after ten years in the sun and i think about that constantly

and it has a fake brand on it that nobody has read yet

a well hidden transition is still an achievement though. most games make you watch a door open for four seconds

the eavesdropping one too. stand near a conversation too long and someone notices